Cultural Landscapes Blog
From the Institute for Environmental Negotiation:
The University of Virginia Sustainable Food Strategy Task Force (SFSTF<https://ien.arch.virginia.edu/services/sustainable-food-strategy-task-force>) is excited to announce an upcoming Bicentennial Symposium event -- Our Evolving Food System: from Slavery to Sovereignty -- to occur on October 17 and 18, 2018.
Event registration opens today, August 1! All events are free and open to the public, but we ask that participants do RSVP on the website<https://ourevolvingfoodsystem.weebly.com/rsvp.html> to ensure availability of space. You have the option of registering for the full Symposium, which includes an evening event in downtown Charlottesville on October 17 and a full day of discussion events at UVA on October 18, or you may register for particular events that interest you most. For more information about Registration and event details, please visit our website: www.ourevolvingfoodsystem.weebly.com
On April 19, 2018, University of Virginia School of Architecture hosted the Benjamin C. Howland Memorial Lecture featuring Walter Hood, and an accompanying panel discussion, “Landscape Perspectives for Future Publics,” on April 20.
Walter Hood is Creative Director of Hood Design Studio, a Cultural Practice based in and a Professor of Landscape Architecture and Environmental Planning and Urban Design at University of California Berkeley. Hood’s lecture, entitled Memory Workers, was dedicated to Doria Dee Johnson, a family historian and activist scholar who passed away this year, whose Great-Great Grandfather Anthony Crawford was lynched in 1916 in South Carolina (see her family’s story at https://lynchinginamerica.eji.org/listen/doria-dee-johnson).
On April 10th, the Center for Cultural Landscapes hosted Caitlin DeSilvey, Associate Professor of Cultural Geography at the University of Exeter, as part of its ongoing series of Restoration round tables during the 2017-2018 school year. This set of discussions, organized by Lisa Goff, Assistant Professor of American Studies, aims to examine the concept of restoration in multiple disciplines across built, natural, historic, political and literary environments. This round table discussion followed DeSilvey’s delivery of the 2018 Hanbury Endowed Lecture in Historic Preservation entitled Curated Decay: Inevitable Loss and Other Opportunities.
In her presentations, DeSilvey started with her early experience as a curator of a derelict homestead in Montana. She described her engagement with objects like an abandoned book collection that had become habitat for various creatures, which once preserved lost some of their vitality. This ambivalence about the act of ‘saving’ objects, often seen as the primary goal of historic preservation, led to her career in exploring alternative practices that engage various temporal processes, included decay, disturbance, inhabitation, succession and loss. These practices, DeSilvey argues, are becoming increasingly necessary in a world full of significant histories affected by processes like climate change, deindustrialization, fiscal austerity, and abandonment.
Charlottesville, Va., with travel to Eastern Shore
One internship available - DEADLINE APRIL 18
Archiving, digital archives, history, metadata management, museum work
The Center for Cultural Landscapes hosted Julie Bargmann as part of its ongoing series of Restoration round tables during the 2017-2018 school year. This set of discussions, organized by Lisa Goff, Assistant Professor of American Studies, aims to examine the concept of restoration in multiple disciplines across built, natural, historic, political and literary environments. Bargmann, a UVA Associate Professor of Landscape Architecture, is internationally renown for her critical design practice D.I.R.T. Studio. For twenty-five years, D.I.R.T. Studio has worked for clients and communities tramsforming degraded, polluted and marginal sites into social and public landscapes.
Bargmann opened her remarks by questioning the suitability of the prefix “RE.” She noted that throughout her career, she has been plagued by “re” words, including “reclamation” and “remediation” as her interest turned to highly contaminated post-industrial sites in the 1990s. Rather than restoration, Bargmann prefers to characterize her approach as a projection forward of ongoing productive cycles of the landscape. She is searching for other words- cyclical cities, continuums of use, or fallow cities may better suit her design motivations and explorations.
From March 21-March 25, the Council of Educators in Landscape Architecture held their annual conference in Blacksburg, Virginia. Thursday's opening keynote speaker was Majora Carter, an urban revitalization strategist from the South Bronx, New York. Carter traced her ongoing community development work in the neighborhood she grew up in, beginning with urban parks and green infrastructure projects of Sustainable South Bronx which she founded in 2001, and moving to her current work in real estate development and work force training in the South Bronx through her B Corporation the Majora Carter Group. CELA awarded a lifetime achievement award to landscape architect Jie Hu, an accomplished educator and practitioner whose career has spanned education at Beijing Forestry University, The University of Illinois, Sasaki Associates, and Tsinghua University as well as work on innumerable landscape projects including the master plan design for the 2008 Olympics in Beijing. The final keynote was delivered by folklorist Roddy Moore, who presented his work on Appalachian coal country, presenting tales of an Appalachia populated by non-Anglo-Saxon European immigrants and African Americans, complicating and challenging totalizing narratives and imagery commonly associated with the region.
The Journey Through Hallowed Ground
National Heritage Area
The Cutting Edge of Public History:
New Directions in Interpretation
March 28 – 29, 2018
MIB Auditorium | Department of the Interior | Washington, D.C.
The symposium is designed to focus on new approaches and best practices in presenting American history and to showcase leaders in the field. Public history specialists will lead panel discussions on a wide range of topics including new exhibitions on slavery and criminal justice and innovative educational programs for teachers and students. Registration closes March 13th. Tickets are $30.
Ticket sales close Tuesday, March 13th! Buy your ticket now!
In March, the Landscape Studies Initiative will host a two day workshop at Oak Spring Garden Library and Foundation (OSGF), situating design landscapes within the history of science and technology, in part by building off the Foundation’s rich archival collections. In preparation, on January 26th Beth Meyer and Meg Studer visited the Library, met with the archival team, led by Tony Willis, and discussed research approaches with Dr. Peter Crane, OSGF’s director (former Dean of Yale Forestry and director at Kew).
For the OSGF workshop, the Landscape Studies Initiative will focus on a) horticultural practices of plant and soil construction, b) the visual culture of temporal dynamics and adaptations, and c) the global interaction of nursery trades, botanical, and colonial exploration in the 18th-19th centuries.
To those ends, the trip offered abundant entry points for considering the intersections of natural history and scientific discovery with landscape: From amazing prints by the Linnaean illustrator Georg Dionysius Ehret to the cinematic ‘transparencies’ of Carmontelle, the collection provides abundant opportunity to compare, juxtapose, and consider the shifting notions of time - temporal endurance, perception, as well as the nested physiological cycles and extended geological durees – as manifest and amplified in specimen and site. In addition, OSGF’s excellent horticultural and arboricultural manuals – from Duhamel du Monceau’s Du Transport… Du Bois to Amos William’s Minutes in Agriculture & Planting - make visible the influence and mutual inflections of new materials, technological and horticultural innovations on the forms of landscape designed, maintained, and managed across the 18th and 19th centuries.
We’re looking forward to an amazing discussion on how the Initiative’s archival platform can enable compelling access and novel exploration of digitized collections like Oak Spring’s materials.
This one-day symposium aims to create new cross-disciplinary and cross-cultural dialogues about how gardens often become the locus for gender definitions and transgressions in literature and culture. The chronological scope of this conference will encompass antiquity to the present, with topics ranging from literature to garden design. Talks will discuss gardens in Ancient Roman and classical Urdu literature, Hebrew Studies, John Donne, Chinese private gardens, Women as professional landscape designers, Vita Sackville-West's Sissinghurst, and the racial history of UVA's own Pavilion Gardens.
We seek suggestions for Cultural Landscape Atlases. Tools for speculation as well as reflection, our second symposium funded by the UVA Sara Shallenberger Brown Cultural Landscapes Endowment. This event will take place during the 2018-19 academic year and feature scholars and practitioners in the humanities as well as design and planning. Please send suggestions for possible speakers (including yourself!) and lecture topics to email@example.com
The Center for Cultural Landscape community seeks to create resources that will increase public appreciation of cultural landscapes as complex records of past values and actions, and to improve professional capacity to imagine alternative futures for those cultural landscapes. One of these resources is a Cultural Landscape Atlas of Virginia that will spatialize a series of select timely topics and networks, such as racialized topographies, food systems and urban form, peri-urban transformations, as well as familiar events that might be re-imagined through new modes of visualization, such as Jefferson’s urban and rural landscapes, the Garden Club of Virginia’s historic gardens, and Virginia’s Civil War battlefields.
So often cultural landscape work is project based, and focused on endangered sites. We desire to work proactively and creatively, explaining through text, maps, photos, diagrams, plans, and section-perspectives the relational nature of bio-physical systems, extraction industries such as agriculture and mining, demographic shifts, and settlement patterns. We think that a cultural landscape approach requires a careful inventory and assessment prior to the need to change, or to evaluate change, as development processes are fast-paced and often at odds with the process of research, documentation, assessment and interpretation.